October 18, 2022

“I wonder how many dots we make"

~ Mbak Siti said while carefully making tiny dots with the canting in wax during my visit to Miss Nurul's home

Buketan inspired costume during Batik Carnival Parade in Pekalongan

Miss Nurul and her family making Batik at their home

Repro's of Fairytale batiks at Museum Batik in Pekalongan


In the bus to Lasem, a pretty bumpy ride and had a few hours a curious neighbour who wanted to know if I knew all the places that have Batik. I got pretty far, still many places I haven’t visited yet.
My week in Pekalongan and Batang went by so quickly and I am happy I know I will return already next month.
My head is busy from all the input & information I got in Pekalongan & Batang. Of course you hope that everyone is just doing good, maybe wish it is going a little better, but it is not well with our Batik city and the pembatiks in this region.

Making a little Batik at the Museum Batik

That disappeared, so didn't see final result

On Saturday Museum Batik was busy as always, but the new exhibition was still being build up. However I was happy to be back here, the space I took my much needed breaks when I was here last time as a special guest.
Went through the exhibition which had reproductions of classic fairy tale designs. The repro in Batik Tulis show nicely when there is access to the original or not. My guess is all were made from books, with some having more detailed images than others. Might dive into this more another time, but will put here photos to compare. 

Batik with Snow white, Original from after 1906

Repro of Snow White at the Museum Batik in Pekalongan

Batik with Little Read Riding Hood - NOT by Von Franquemont 
- wrongly attributed, original from around 1910
At Museum Danar Hadi in Solo

Repro of Little Red Riding Hood at the Museum Batik in Pekalongan

After taking a look around, Ibu Mourni said I should make a batik. The batikworkshop space the museum has is very popular and every day you can learn applying the wax with cap & tulis and even the dyeing. Ibu Mourni let me pick multiple caps and gave me a bigger cloth. Ibu Mourni showed me once how it was done, so I could mess up the border pretty nicely myself. I only did it once correctly, but in my defence haven’t tried a cap since 2009, I think.
Of course had to do the tulis too. There was no time to colour it, since it was busy and when I returned the next Friday my work disappeared. Most likely coloured in by someone else, which I take as a compliment.
I brought the magazine BATIK! to give to museum, Ibu Nurhayati meet me to accept it from the library. She right away tried the wrap tutorial and asked me to explain what other articles were in there, since it is written in Dutch. 
Spend last time here many moments between events drinking kopi. So when Mas Lani saw I was offered tea, he came back with kopi. 
I looked for kucing (cat) Frederika, I think she might not be there anymore, but a very pregnant cat was now roaming the halls that could be her daughter. 

Ibu Nurhayati received a copy of the magazine BATIK! from me
for the museum library collection

After the museum I went to Pekan Batik. The always booming Batik Week event was now an empty space. The big venue has not been filled due to too high prices for stalls, little customers who can afford to buy and the floods…Really sad to see. I thought they will be back with a bang, celebrating Batik. It surprised me, I would have wanted to fill the space.

Mbak Siti showing me her batiks made 
with both natural and synthetic dyes

The red she made by accident, and the retry on cotton that turned brown

The seeds she uses to colour her batiks

On Sunday I went to meet Mbak Siti. So great to see her again after 3 years. Her daughter has grown so much, but still loves to draw and a new baby boy is already a toddler. Mbak Siti showed me her latests experiments. It is so inspiring and beautiful to she her creations. Next to bought better known natural dyes like Indigo, Mbak Siti sources her ‘warna alami’ near here home. She even planted one in front of the house. She opened up the spiky fruit it bears to reveal tiny seeds. The seeds give her an orange kind of brown. With just dyeing pretty bright but with boiling out the wax it becomes more beige. She also showed me a bright red  which happened by accident, but she couldn’t recreate. 
Although there is no local market for her natural dye, she is determine to continue learning and hopes one day more will follow in her region. I am so so so happy I can include her amazing work(s) in my upcoming exhibition. In the meantime I will work with her on dye recipes and improving the market ~ because we need to re-love natural dye, we are so used to our bright, flat colours, that every dot or fade seems like a mistake, but it is not, it is the beauty of hours of labor.
Miss Nurul joined us also, and she said yes too. It was so wonderful to spend the morning here, talking batik and future plans. 

Mak Si'Um showing her latest design

On Monday I went to Batang again. In the morning a live event was being hosted by Batik community Rifai’yah in Kalipucang. It was live streamed to Portland. In the gallery we looked on a screen what was actually happening around the corner.
Mbak Siti met me at the event so we could meet Mak Si’Um. 

I was I this region longer in 2016 when I visited many of the batikmakers in region and filmed some for my short film ‘Tari Batik’.
In 2019 I only got to see some shortly and missed Mak Si’Um. So I was so glad I got the visit Mak Si’Um now twice. This granddame of Batik has been making batik since 10 years old and is approaching 90. Every day she still makes Batik, her own fun designs since she says she cannot produce the fine lines any more. However her Batik is unique and really modern. At the moment she still does everything herself, from the wax until the lorod {boiling out}. Hope Mak Si’Um daughter(s) will start helping their mother in producing more of her designs, Mak Si’Um has so many ideas and it would be amazing if her Art can be enjoyed by more to see. My exhibition being one of them!

Although the batiks from Batang are getting better known, the batikmakers have a hard time. I heard sells had stopped since the pandemic, the money they make now is directly put into new mori {cotton cloth} to be able to produce new Batik. The strength these women have to to keep pushing forward, keep making Batik, not just because it what they do or know, it is truly a commitment of love. That can use much more support. Not just in words, events, promotion, but more practical in the production and in funding…

At Miss Nurul's home

On Tuesday after visiting Mak Si’Um again, I returned to Miss Nurul’s home. I met Miss Nurul and her family first in 2016. That is when I also met Mbak Siti, to find someone speaking fluent English in a desa like this is a big surprise and I have to thank Mbak Siti for making time for me to help me with interviewing Mak Si’Um who only knows Javanese.
Back to Miss Nurul, one of the youngest makers I know, I filmed her in 2016 and returned in 2019 when I did a workshop with them. When I was there Miss Nurul and her family were producing batiks for an upcoming event in Jakarta and for the many orders she got. Instagram really helps her to reach more people and happy to see that at least somewhere sells are picking up. But it also shows how difficult it is for the older generation if re-seller don’t come to the kampung to buy, orders stop and they have no other way of selling their batiks.
At Miss Nurul home everyone joins in the making. Nurul works every day together with her two sisters, mother and aunt. Even Mbak Siti takes some orders at home.
It was great to be there; talking designs, history, inspiration and ideas for the future.
Wish I could stay here all week, but these women have orders to make & households to run. So I am still so so so honoured I got to spend time with them and feel so welcome.

Design by Ibu Widianti

Wednesday I got to meet Ibu Widianti who runs the famous batikworkshop Oey Soe Tjoen. We already met through the phone but this was the first time in person. I am so happy we got to meet twice this week & looking forward to returning to Pekalongan next month.
Ibu Widianti is preparing for an exhibition and a book to celebrate 100 years OST in 2025. The exhibition will be held in Jakarta. For this she is producing new batiks, classic design and of her own hand. Ibu Widianti shared some of her own designs with us and they are the cutest Batik I have ever seen. Fun, cartoon design with all the OST quality and detail. One was of school kids playing and an unlaying theme of cleaning up rubbish. The other displayed the life of Jesus. 
I hope to include Ibu Widianti own work in my own exhibition. So I will return to Pekalongan to discuss this further and interview her. I will keep you posted about it, so exciting!

Eco Print workshop at Museum Batik

Thursday I was a little unwell for a day, so the day after I thought a relax workshop at Museum Batik would be a good way to spend the day. Turned out Eco Printing is very labourful (why is this not a word). I remember my niece Surya de Wit explaining it as “basically you just hammer to flowers into a pulp”.
After the instructions we starting hammering away, only to find out the hammers were too soft for the pretty tough leaves. Everyone got really creative using the wood of the hammer. Although it was a bit much, I had a lot of fun, also because of my kind fellow participants who has all kind of questions for me. Pretty happy with the result, although I couldn’t pulp it that much. Curious how the colours will change over time.

Batik Carnival





Saturday I had the great honour of being in the jury of this years Batik Carnival Parade in Pekalongan. My fellow juries were no other than Ibu Widianti of OST, Arif Tuep of the Solo Batik Carnival and Arif Wicaksono of Kampong Batik Kauman.
I was in the jury in 2019 ~ which was a dream come true ~ and to be invited again for the first edition after the pandemic is so amazing, I am so over the moon.
As a jury we started at 8 in the morning to see all the videos the participants made of their costumes, explaining in detail their concept and showing the making off. 
At around 11 we headed to the stadium where the participants were getting ready for the pre-parade, a showcase of their costumes just for the jury and media. It was great to have the opportunity to see the costumes up-close, check out their use of fabric ~ since the use of Batik Print (fake imitations) meant disqualification. Not from the parade, but for the prices. When I asked how strict this was, since someone can mistake print for real easily, I was explained it was always a disqualification. The participants were given a zoom lesson on how to recognize real Batik and knew the risk when entering with imitations.
So the participants costumes got checked on use of fabric, the more Batik, the better. Plus points were given for using the Batik designs/motifs selected for that year with a connection to Pekalongan being: Jlamprang (similar to Nitik), Benji (which  I know as Banji), Buketan, Tiga Negeri and Liris (which is Lereng, so diagonal motifs like parang).
So much detail goes into the outfits, ornaments and make-up. I loved all the batik shoes, I spotted doc martens with banji pattern how cool. 
What was also fantastic to watch is the community, how everyone is working hard to present their team in the best way possible ~ cheering their models on, often dressed in matching outfits. Some of the models were so nervous at the beginning. When we saw them at the end of the day they all walked so proud.
The pre-parade was at 12, in 2019 I had only the chance to give points during the actual parade, which was a bit chaotic. Now with the videos, time to walk around and the catwalk, it was much easier. 
After the pre-parade we headed back to the temporary office to figure out what our top 3 were. We were pretty much on the same page, having some differences but no big discussion were needed.
At around 15 we were brought to the end of the parade to see the full show and what a show it was!



To all who walked the parade, know you are all winners.
Thank you Pekalongan for hosting this beautiful Batik celebration, 
super proud of you Pekalongan and so happy to be part of it. 
Keep on celebrating Batik!
And till next post!

October 7, 2022

Kembali ke Jakarta*

* Return to Jakarta

Pak Hartono sharing Batik with Little Red Riding Hood motif during his talkshow

Feeling Motomami on my birthday & Hari Batik in the mall
Wearing Batik top by aNERDstore

Jakarta skyline from the car

At the moment I am traveling to Pekalongan by train. Sooo time for an update. My first week on Java in Jakarta has rushed by. Jakarta is never my favourite place to be, but it was wonderful to meet and hang out with my dear Batik friends.
I celebrated Hari Batik & my birthday, next to the start of my project here in collaboration with Erasmushuis in Jakarta. I am so excited, and nervous, to finally share. I am making an exhibition next year, October 2023, all about Batik with the title ‘Future of Batik ~ Masa depan Batik’. A couple of years in the making. Now finally on Java to start the preparations. For this exhibition I will share my journey to Batik from different angles, including work by pembatiks I have been following these past 13 years!

Pak Hartono in front of Batik signed by Toorop, pointing out 'Dutch influence'

Repro Batik by Pak Hartono

Showing off the Repro Batiks


One of many cupboards filled with beautiful things


So my first week in Jakarta was filled with meetings to discuss my plans, program options & more. I am not doing, or maybe only a few, public events, since I want to focus on all we can do together next year. 
The start of my stay in Jakarta begin with an invite to a talkshow by Pak Hartono, Batik & Art collector who I often share ideas with through WA. The event was pretty fancy gathering of ladies from a Wastra club. Felt misplaced, but Ibu Hartono insured me that Pak Hartono was very happy I came although he was so busy with these ladies. Several batiks were being showed from Pak Hartono’s collection while Pak Hartono explained the development of the style of Batik on the North coast of Java. He showed a Batik with Little Red Rinding Hood, a Batik signed by Toorop & van Zuylen. After his talk the ladies got to ask question. It was an interesting moment since one asked about Tiga Negeri and if this really was made in several locations ~ because Mas Benny Gratha states in his book on ‘Tiga Negeri’ it was only made in Solo. Pak Hartono said he had proof that it was made in several locations, send be me! Wait what? All the ladies were all looking at me. Hartono continued; Sabine is a researcher from the Netherlands. She send me information about ‘blanco’, the batiks with only a motif in red produced in Lasem and Pekalongan. 
Well after this everyone wanted to chat with me. 
After the Q&A reproduction Pak Hartono makes from his collection were being catwalked by ladies. The repro’s are very finely made Batik Tulis, on only one side of the cloth, the design is based on the original batiks but the colours are very different. 
After all this we got invited to see the ceramic room/house. An incredible space filled with old cupboards filled with ceramics, glassware and more. The room was decorated with beautiful paintings and vases, big ones on the ground, and smaller ones on small tables. The ladies were posing in every corner, making it a funny experience trying to not get in their shots while carefully not knocking over anything. 
While the ladies got lunch in the courtyard, I was invited inside. During lunch I got share some of recent research which was received with shock, especially the name ‘Batik Belanda’ and that it is actually a term for imitations from the Netherlands. 
I will revisit, so I can share more of my findings with Pak Hartono in person, so looking forward to return to Jakarta later this month. 
Before I left Pak Hartono told me he had something for me, he found it just a month ago. A Batik from the 60/70’s with Gelatik motif. I told him before how much I loved these motifs in his book. In his book ‘Batik Betawi’ are several stunning colourful batiks filled with my favourite bird. He asked me why I like this bird and I had shared a video of my ricebird. I explained I named my ricebird Batik, it was before I was busy with Batik and our little feathered friend always started singing when I was discussing or talking about Batik, the textile, with someone. 
Monday the package with the batik arrived at my hotel. Such a kind gift! Such a sweet surprise!

Detail of the Batik Gelatik form the 60/70's

On Sunday it was Hari Batik which I celebrated with my Batik mentor Pak William Kwan. Because the Museum Tekstil opening is postponed to 12 October, we went to two malls. First the Batik Bazaar organized by Yayasan Batik Indonesia. We first eat and discussed our Batik activities. 
After this mall we headed to the new and approved Sarinah. Curious what the fuzz was about, I wanted to check it out. The mall looks gorgeous, so do the batiks, but what prices! Considering how little the makers are being paid, it makes me sad. The fashion was mostly made from all kind of prints, why I wondered? The very expensive haute-couture corner only had outfits with imitation on it! So there is room for improvement to say the least… 

Biggest canting I have ever seen at mall Sarinah

Hello Museum Tekstil, good to see you!

In the library of Museum Tekstil 
with a copy of Veldhuisen 'Batik Belanda' in Bahasa Indonesia

Monday I had a meeting at Museum Tekstil with Mas Ardi. Mas Ardi was my translator during my talk in October 2019, launching my research project. We met recently in Utrecht (NL) when he was part of the exchange program for the Rijksmuseum exhibition ‘Revolusi’. 
I was happy we got to meet now again and share ideas and make plans, for during my stay now and for next year. Was so nice to return to the museum. Last time it was my first stop & start. We met in the library. I didn’t have the chance to see it last time and was curious since recent donations were added. Their collection is really good. It includes many Batik books, old and new, in English and Bahasa Indonesia. You can visit the library during openings-hours and there is a nice place to sit and read. So ayo, go check out this perpustakaan!
I will meet Mas Ardi again at the end of the month to make more plans and hopefully go on a Batik adventure!

Broken winged angel at Taman Prasasti Museum


Beheaded angel at Taman Prasasti Museum

Broken headstones at Taman Prasasti Museum


On Tuesday I met Pak William again at Taman Prasasti Museum, the old Tanah Abang graveyard. I arrived a little earlier and went looking for the names I had written down. On the website of IGV there is an index of the graves with clear info in the location with photos, https://igv.nl/databronnen/tanah-abang-index/ 
I looked up some names I thought might be there, yet run into names I didn’t expected to be there. 
The old graveyard has been cleaned up and re-arranged as a park. Stacks of broken tombstones show that many more were laying here to rest, but only a few are still ‘on display’. As always, it was nice to “run into” some familiar names. The place is very interesting, never saw so many broken winged angels, or beheaded angels... It kinda add the right symbolic feel to the place. Got attacked by huge red ants and followed by several cats while trying to make photos, totally worth it, and the cats pointed out some good names.

Cat on tombstone

Pak William pointing out a Batik motif

The library of the Erasmushuis in Jakarta


Wednesday I had my meeting with director Yolande and project manager Anna at Erasmushuis. It was great to see the space(s). I was here last in 2016 and hadn’t seen it after renovations. In new exhibition is in the making and it was so nice to think how I will fill this space. The library is so stunning. I am happy we are going to add a must needed Batik section to it and we are going to start with it as soon as possible. I am so excited and so honoured I can make a Batik exhibition, my Batik exhibition here. 

After my meeting, I headed to Esmod, the fashion school, to meet Ibu Liesna. We met during the pandemic online, I was a guest in her IG live and we are always liking each others posts. 
It was so nice to finally meet in person, like we just had coffee the day before. 
Ibu Liesna was giving her batik lesson to the fashion students. They can choose different crafts to explore and Batik is one of them. It was only their second try at Batik. It was fun to be in this class and chat with Liesna’s students. One student shared her parents back home in Kalimantan actually have a batikworkshop! Another asked my thoughts on Batik Malaysia and I got to tell about what I learned about my very recent visit to Terengganu.
At the end of the class Ibu Liesna asked me to change into a kebaya, belt and batik. She styled it for me before we took pictures. The kebaya & belt were of her own design, her brand Galeri Liesna, the batik from Lasem. After the photos, I asked if I should change before we went to the restaurant. Turned out she wanted to give me the complete outfit! Since I have many nice Batiks from Lasem, I kindly returned that, but very much accepted the kebaya and belt. My first kebaya!  I am so happy with it. Terima kasih banyak Batik sister Liesna!

Ibu Liesna and her fashionstudents in the batik lesson at Esmod Jakarta

Posing with Ibu Liesna and the students showing their batiks 
me wearing Kebaya and belt by Galeri Liesna

My last day, for now, in Jakarta I visited Jennifer, my dear friend and my batik reseller. Normally our contact is through WA, an occasional phone-call and boxes of Batik. I have been working with Jennifer since 2016, when she joined me to Lasem. It is great to have someone who can do the practical part for the pembatiks, the shipment to me, who is like me invested in making sure we can enjoy batik for many more generations to come.
We talked shop; restocked for Guave, discuss how to improve and continue the one-coloured batiks and slendangs, since we will be reordering, restocked for myself, many beauties coming with me end of November. And brought two Malaysian batiks with me to be turned into clothing, while adding another one one the spot by Ibu Ramini to be made into a dress also. Jippie! Cannot wait to do a fitting when I am back!

So I am in the train to Pekalongan. Very happy to return there after 3 years.
Till next update!

Photo by Pak William at Taman Prasasti Museum

October 5, 2022

Splendours of Malay World Textiles and more in KL

Batiks in John's exhibition 'Splendours of Malay World Textiles'

Together with John Ang, the new Vlisco wax print I brought in the display on Batik Besurek
in John's exhibition 'Splendours of Malay World Textiles'

Writing this from my hotel room in Jakarta where the jazz played in the hallway mixed with constant buzz from the AC in the room upstairs. Almost a week has passed since I had my last full day in Kuala Lumpur, Malaysia before traveling to Jakarta. 

On Thursday it is the Batik Friday of Malaysia. Huh what? Friday’s in Indonesia are known as Batik Friday. The day everyone, mostly government employee have to, wear batik. The idea behind batik Friday’s was that more people had to wear batik, so more batik would be bought and therefor better protected. However most people do not wear Batik on Friday but go for the cheap mass-produced printed textiles, unfortunately…In Malaysia this day is on Thursday. I don’t know if people here were more real Batik or not, but we celebrated it by wearing batik and seeing Batik!

One of the domes in the Islamic Arts Museum Malaysia

Curator Marina of Islamic Arts Museum Malaysia 
gave us a tour though of the textiles in the museum

Textiles on display
at Islamic Arts Museum Malaysia 

Detail of Batik and Telepuk

Textiles on display
at Islamic Arts Museum Malaysia 

We started our day with a visit to the Islamic Arts Museum Malaysia. We had a meeting with Curator Siti Marina Modh Maidin. Up on arrival the building is already spectacular and inside even more, with decorated domes and marble floors. Marina started with saying there wasn’t much Batik in their collection, to continue showing us all Batiks on display, which included amazing Batik Besurek pieces!
New ones have been collected and will be added in the exhibition they are working on behind the scenes for 2024.
The museum show Art, Crafts and Fashion from the Islamic world in all it diversity, beauty and development. It was refreshing and stunning to see how everything was displayed without pushing an agenda. We only saw part of this private run museum, but I definitely will revisit next time I am in KL!
 

'Conference of the birds'

A Besurek Batik...

with Gelatik, rice bird motif, what a dream!
On display at Islamic Arts Museum Malaysia

Our next visit was to the exhibition ‘Splendours of Malay World Textiles’. Finally! The exhibition made by my dear friend John Ang. It was one of the main reasons for me to go to Malaysia. The talk in Singapore allowed me to travel here first, before continueing to Java, where I am now. 
I saw my friend John Ang last in person in 2019. We stayed a weekend in Bangkok together, enjoying the exhibition of the batiks collected by the king, good food and many laughs.
Of course we were in contact regularly after through WA. Mostly discussing certain things John read somewhere, a textile he found or when I posted a recent find online. Whatsapp is nowadays the letters scholars use to send back in the day to each other ~ I do wonder how anyone can retrace our steps later with our messages through WA, Instagram DM’s, Messenger, the occasional email and phone call, on top of the many conversations in person…

First wall in in John Ang's exhibition 'Splendours of Malay World Textiles'

John telling us about the categories and the time it took to collect all the pieces

Woodblock prints and Batik Cap in John's exhibition 'Splendours of Malay World Textiles'

Telepuk, gold pattern on top of woven checkered fabric 

Batik Tulis, Woodblock prints and Batik Cap 
in John's exhibition 'Splendours of Malay World Textiles

More woven checkered fabrics with stunning details
in John's exhibition 'Splendours of Malay World Textiles

All the pieces are stunningly paired to make complete stories AND outfits!

Throughout the pandemic John was working day and night to make his exhibition. From his extensive collection he selected, I believe it is, 500 pieces to show in 12 categories the splendour of Malay textiles. 
With zoom meetings John shared with us the different categories and the places these textiles are from. There are different opinions of what places and countries are part of the Malay world and there is even some controversy on the use of ‘Malay’ as a way of grouping the ‘Nusantara’, which I cannot explain in much depth, but lets say unity in diversity is a difficult concept to realise. 
When the selection was made and the grouping in photo collages was done, a team of people build up the exhibition spending weeks ironing, hanging and pinning the carefully selected pieces. A labour of love!
Although I saw many photos during the process and from when it was opened in July, seeing the exhibition myself and getting to see the textiles up-close was an amazing experience. It is rear so many textiles are displayed, and these textiles are not behind glass, so you get to see all the details.
John invited us to join a tour he was giving to a group. Turned out it was for the Islamic Arts Museum we just went to. 

Tour by John

British prints that found there way onto the Malay market
in John's exhibition 'Splendours of Malay World Textiles

Detail of Kain Lamar with calligraphy motif
 (please correct me if I am wrong)
in John's exhibition 'Splendours of Malay World Textiles

Tour by John

Patola's; originals woven in India, blocked printed ones 
and a copy from The Netherlands made by De Kralingsche Katoenmaatschappij
in John's exhibition 'Splendours of Malay World Textiles

More colourful prints

Batik Tulis, Woodblock prints and Batik Cap 
in John's exhibition 'Splendours of Malay World Textiles

I was so happy that we could join a tour by John himself. The stories he shares on why certain pieces are grouped, the history they reveal and personal anecdotes make the exhibition come alive even more. You can book tours, so certainly do when you go to see the exhibition
Johns story, the marvelous display and all historical details really make me look forward to the book, the catalog, that will follow this exhibition even more! 
When the group of the museum had to leave, and John called me “Sabine, we need you here”, for the last room of his exhibition. To my surprise the Vlisco imitation Besurek I got for John in the Summer of 2019 when he was in the Netherlands was featured here. John told how I told him how I found out Dutch imitations were made in the 19th century that now made their way into collections often mistaken to be real batik, like the one at ACM.

John Ang telling about our Batik Besurek discussions

After the tour, I was happy I could ask John to unwrap the present I brought him. Vlisco just released before my departure a new version of the imitation Besurek in purple decorated with rose gold (like prada). John showed it to everyone and we had to pose with it in the exhibition.
John invited us after tea for dinner. We went to this really stunning Peranakan Chinese restaurant. John was inviting someone in the car on the way there, I asked who will join us. And it was Thweep Ake Rittinapakorn, the Burmese textile researcher I got to meet in Bangkok for pies when I was with John there. Such a nice reunion, and it seems there are Dutch ~ Burmese textile histories we much explore further in the near future. 
After dinner, John insisted on is seeing his home. We were all tire, but were super excited to see his home. It was almost midnight, so we would only look around quickly. John wanted me to also look at some Batiks. I said no we should sleep, but looked at a couple before going anyway since a no is luckily not accepted. Again amazing pieces that I tried to date as best as I could and wish to dive into further when I am back. 

Blok from John's collection 
with grape motif I have been fascinated about for a while now


Looking forward to next time, when I will stay longer John, I promise. 
Enjoy the lost month of your exhibition!
If you are near KL go see it, a must see for sure. If you are far, go see it too.
More info on www.johnang.com.my